Outlines of English and American Literature

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Yet the feting of the scientific as a new aesthetic also became part of an elision which equated science with a hard, dry objective voice, which in its turn became equated with masculinity", Deryn Rees-Jones, in "Kicking Daffodils", Vicki Betram (ed), Edinburgh UP, 1997, p.268 "In general, scientists discover past art, whereas artists invent future science", Argyros, "Blessed Rage for Order", p.345 "authors are reacting not to science as such, but to a more general set of ideas pervasive in the culture", Hayles, "The Cosmic Web", Cornell University Press, 1984, p.24 "Art and physics, like wave and particle, are an integrated duality: They are simply two different but complementary facets of a single description of the world", Leonard Shlain, "Art and Physics", William Morrow, 1991, p.24 "We show that famous intellectuals such as Lacan, Kristeva, Irigaray, Baudrillard and Deleuze have repeatedly abused scientific concepts and terminology: either using scientific ideas totally out of context, without giving the slightest justification ... or throwing around scientific jargon in front of their non-scientist readers without any regard for its relevance or even its meaning", Alan Sokal and Jean Bricmont, "Fashionable Nonsense: postmodern intellectuals' abuse of science" Picador, 1998, p.x "one finds in Baudrillard's works a profusion of scientific terms, used with total disregard for their meaning and, above all, in a context where they are manifestly irrelevant", Alan Sokal and Jean Bricmont, "Fashionable Nonsense: postmodern intellectuals' abuse of science" Picador, 1998, p.153 [both literature and mathematics] "proceed from postulates, not facts; both can be applied to external reality and yet exist also in a 'pure' or self-contained form.

Pages: 468

Publisher: IndyPublish (November 12, 2008)

ISBN: 1437863388

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